Edition 1
OVERVIEW THE PORTFOLIO 2026 ++

  1. Now I’m very clear that the object is freedom (a.m)
  2. Blueprints Inside
  3. Broken Glass and Kindness
  4. Nobility Game in Pink
  5. Winstons and violet dawns
  6. That day at the playground (for Lucia Berlin)
  7. Black Dahlia for Carolee Schneemann
  8. Blue Chalk Tenderness
  9. Dry Formalism Infused with Otherworldly Interdimensional Portals (for John McCracken)
  10. American Poem (For John Wieners)
  11. Lichtenberg
  12. Monochrome for W
  13. The Water Wants to be Heard (for Agnes Martin)
  14. Wildlife Museum
  15. How I learned the value of colors
  16. The Studio
  17. Why Painting

Edition 2
ARCHIVE/INDEX202X ++

  1. ︎ All works
  2. ︎2010
  3. ︎2021
  4. Photo credits
  5. Website
  6. Newsletter

Notes —

  1. Utilizing Expendable Materials to Create Works of Formal Pristine Beauty
  2. alchemist noun
    al·che·mist |  ˈal-kə-mist
    Alchemist: Someone Who Transforms Things for the Better
    The long route to English for alchemist began with the Greek word chēmeia, which probably came from the word chyma (“fluid”), derived from the verb chein, meaning “to pour.” It then passed to Arabic, which added its definite article al- (“the”) to the Greek root. The word then passed from Latin to French before coming to English. Some other words derived from Arabic also retain the al- in English, such as algebra, algorithm, and alcohol; in fact, the transformative liquid that was constantly being sought through experimentation by alchemists is another word with the Arabic al- prefix elixir.


Mark
Empathy & Alchemy

everything matters because
everything hurts someone
somewhere as it is mattering
we became all we carried into the mast
migratory patterns given to the love again
a way to end this secrecy of suffering 
cut a door in the wolf
so we can retrieve our dead
for a world that matters 

CAConrad, River Rail



I found the poet CAConrad’s work rather late, but they give the words that I do not have. I could write the longest artist statement but “cut a door in the wolf so we can retrive our dead for a world that matters”  from their poem River Rail fully sums up my practice. That is what I am doing,: in my studio, with my paint, oil, turpentine, water; I am cutting a door in the wolf to retrieve our dead for a world that matters. I dont beleive it is useless to paint while the world is on fire. Because everything matters. And good painting is anti-violence.


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